![]() |
| Christy Gillam Photography |
Welcome, Constance! I’m happy you could join us today. You
recently released your first historical romance, Lakota Moon Rising. Please share with our readers what they can
expect from this book.
Thanks,
P.J., for inviting me. Lakota Moon Rising
is a historical prequel to my first contemporary mystery, Lakota Dreaming. The reader can expect adventure on the Great
Plains, a peek at two different cultures during the 19th century,
and a universal love story between two strong willed characters.
I enjoy
exploring different cultures. The original premise for the series was to see
how two different people would overcome their diversity to find love. I found
the characters had more in common than they had differences.
I’ve
always been fascinated by the Native American people and their struggles to
maintain their culture and their land. At the same time, I’ve been tracing my
ancestors. Since a large part of my
heritage is African, tracing my ancestry has involved an up close and personal
study of the institution of slavery in the Americas.
Julia and Sunkawakan
Iyopeya come from different worlds yet find in one another their heart’s
desire. What do you want readers to understand about these two characters?
That underneath
the differences in their worlds are two people looking for a common connection,
for a life mate who will travel the rough road with them.
Julia is fascinated by the
world she discovers away from the plantation where she had spent her life as a
slave. What’s the most fascinating place you’ve visited or would like to visit?
Why?
I visited
China in 2007 and was humbled by the history.
When I walked the Great Wall of China, it sent shivers through me to
remember 2,000 years earlier other feet had patrolled this same path.
At your website you write,
“Music constantly flows through my mind as do the next scenes in my current
manuscript.” Did you play music while writing Lakota Moon Rising? If so, what was your soundtrack for this book?
A very
obvious one, Dances with Wolves. The
music was lyrical, symbolizing the flowing of the long grasses and the vastness
of the Plain. I also revisited scenes in the movie. I found the panoramic
cinematography of the Plains inspirational for describing Julia’s awe as she
traveled to Sunkawakan Iyopeya’s camp.
Lakota Moon Rising is the prequel to your contemporary romantic
suspense novel, Lakota Dreaming. What
can we expect from Lakota Dreaming?
Should the two stories be read in any particular order?
Lakota
Dreaming is a fish out of water story. Zora, a New York City fashion editor, is
plagued by what her psychiatrist calls genetic memories. Zora travels to South
Dakota, where her ancestor lived, to put an end to these visions so she can get
on with her life. She runs afoul of John Iron Hawk, Captain of a small tribal
police force.
I would
recommend reading Lakota Dreaming
first, then Lakota Moon Rising.
What do you enjoy reading when you’re not busy writing your
own books?
I read
everything except horror. I love Diana Gabaldon’s Outlander series, Karen Marie Moning’s Fever series, I’m currently reading Wench by Dollen Perkins-Valdez. I recently read The Resurrectionist by Matthew Guinn.
I’m listening to A Dark Lure by
Loreth Anne White. In my TBR pile is a National Book finalist, The Turner House by Angela Flournoy.
There are many surprises in store for Julia along her
journey. What would readers be surprised to learn about you?
No
surprises here. I spend hours each day in front of my computer in my sweats.
Pretty boring.
Where can readers find you on the internet?
Website: www.constancegillam.com
Facebook: www.facebook.com/authorconstancegillam
Twitter:
@conniegillam
What’s next from Constance Gillam?
I’m
working on a contemporary sequel to Lakota
Dreaming, tentatively entitled Hunter’s
Moon.
Thank you so much for visiting with us, Constance. Would you
like to ask our readers a question today?
What is
your favorite fictional or non-fictional romance and why?
One randomly chosen person leaving a comment will receive a Kindle copy of Lakota Dreaming.


