. It's always fun to welcome debut authors and today we have one who's been getting a lot of buzz around the romance world. After her debut book, A LADY AWAKENED, had been enthusiastically recommended by both Dish regular, Penfield and favorite author, Eloisa James, I knew I had to check it out. The holder of a degree in English, Cecilia (as she writes on her website) is delighted to be writing stories after waiting tables, composing software Help files and answering the carpool-lane-violators hotline. After reading A LADY AWAKENED, I'm delighted she's writing stories too!
Welcome to The Romance Dish, Cecilia and congratulations
on yesterday's publication of your debut novel, A LADY AWAKENED! Will you tell us a bit about it?
It’s the story of an intimate
bargain between two of the unlikeliest partners imaginable. Martha Russell
needs to conceive a child, ASAP, in order to pass it off as her late husband’s
and prevent a nefarious brother-in-law from inheriting. Her new and idle
neighbor, Theo Mirkwood, is more than happy to assist - until he finds out she
means it to be all business and no pleasure.
At odds in the bedroom and beyond,
they try each other’s patience, foil each other’s intentions, push each other
to the brink of calling off the whole agreement... and form an improbable
friendship. And then more.
You
created such a wonderful sense of time and place – from the language to the
working conditions to the social and political climate - in this book without
making it seem like a history lesson.
What type of research did you do to get it so spot-on?
I’m glad it read that way to you,
but I always squirm a little when someone praises my historical detail because
there are so many historical-romance writers who are better at that part of the
job than I am.
I started out with a few general
books - Trevelyan’s
British History in
the Nineteenth Century and Richard Muir’s
The English Village were particularly useful - and then for
specific issues, like how a roof in early 19th-century Sussex would be
thatched, I did a lot of fact-hunting online.
Research can make you tear your
hair out sometimes, not least because it results in this enormous iceberg of
which you might only utilize the tip. In the roof-thatching example, I learned
the names for all the different parts of the roof, as well as what material
would have been used (different regions of England thatched with different
grasses or reeds), only to wind up writing the pertinent scene from the point
of view of a character who wouldn’t have known any of that terminology and
wasn’t paying particular attention to what the thatchers were doing anyway.
Maybe one day I’ll write a book
with a roof-thatcher hero.
What
would you most like your readers to know about Martha and Theo, the heroine and
hero of A LADY AWAKENED, before beginning their story?
Martha and Theo
are going to fall in love. It’s going to
look extremely unlikely for awhile but I swear they eventually will.
There
was certainly nothing “typical” about this story, especially in the way Theo
and Martha viewed both themselves and one another. (Which I found very refreshing.) Martha, in particular, is such a complex
woman and not all that likable, especially at first. (I strongly encourage readers to stick with
the story as both her growth and Theo’s are immensely satisfying.) I imagine this book will generate a vast
array of reactions. What was your
inspiration for creating such atypical romance characters? Should we expect more of the unexpected in
your future novels?
I’m never going to be the kind of
writer who comes up with a strikingly original plot, so I concentrate on
original characters. And the quick-and-easy way to create an original character
is to identify some of the most ubiquitous personality traits in the genre, and
then write the opposite.
There are a lot of romances in
which the hero needs major change and growth (repudiation of his rakish ways,
for instance) in order to be worthy of the heroine’s love, but relatively few
where she’s presented as not yet worthy of his. Heroines tend to be pretty
likeable, and relatable, from the get-go, and the downside of this is that they
don’t then get the big dramatic growth arcs that the heroes get.
So one of my goals was to write a
heroine who, when we first meet her, is not ready to hold up her end of an
adult romantic relationship, and has to struggle with her own growing pains at
the same time the hero is struggling with his.
On the hero’s side, the most
ubiquitous characteristic I could come up with was competence - romance heroes
tend to be at the top of whatever field they’re in, whether it’s spying or leading
society or just raking around - and so I wanted to write a man who wasn’t there
yet, and who would stumble a bit on his way to getting there.
Should you expect more of the
unexpected in future works? Well, you should probably expect more
not-immediately-likable characters. As a reader I’m drawn to those, and so I
like to write them too.
Speaking
of future novels, your next book, A GENTLEMAN UNDONE, will be out in May,
2012. (Gorgeous cover!) Anything you can tell us about this one?
A GENTLEMAN UNDONE is the story of
Martha’s brother Will. He’s got to come up with some money, quickly, to
discharge a debt of honor incurred at Waterloo, but when he ventures into a
gaming club he tangles with an ice-in-her-veins cardsharp who might be his
ruination... or might be exactly what he needs.
Will is probably my most
conventional protagonist so far; tortured and deeply honorable. Heroine Lydia
is the more atypical character in this book. I wrote her partly in reaction to
Martha, actually: after all those months spent with a prim, mulishly
nonresponsive heroine, I wanted to write someone completely different. Lydia
lacks scruples and has what you might call a vehement sexuality.
When
the writing is finished, what do you most enjoy doing for fun and relaxation?
The writing, it turns out, is never
finished. (I didn’t know this before I sold books and signed a contract.) Because
I’m not a fast writer, I can’t really afford to take a month off to relax and re-charge:
as soon as I hand in one book, I’ve got to be working on the next, whether it’s
research, brainstorming, or actual writing.
Fortunately the writing is fun. I
can’t say it’s relaxing, but it’s definitely fun.
I
imagine your research requires a good bit of reading. What types of books do you turn to for
recreational reading? Or do you even
have time for that?
I read a lot of romance - mostly
historical - partly for recreation, and partly to keep up with the market. That
doesn’t leave nearly as much time as I’d like for other reading.
The books on top of my non-romance
TBR pile right now are Anne Tyler’s
Ladder
of Years and Helen Simonsen’s
Major
Pettigrew’s Last Stand. And the last nonfiction book I really loved was
Elizabeth McCracken’s
An Exact Replica of
a Figment of My Imagination. Loss - in this case a stillbirth - is such a
tricky subject to write about, but she does it without either pulling punches,
or leaving you lying on the floor in a puddle of despair.
New
Year’s is just around the corner. Do you
make resolutions? If so, what are your
resolutions for 2012?
Since about 1990 I’ve been
resolving every year to stop picking at my cuticles. And now that I’ve gone
public with it, 2012 will surely be the year in which I succeed. So thanks for
that!
A
LADY AWAKENED has been getting a lot of advance buzz. What’s your favorite quote about this book so
far?
I’ve been extremely lucky to have
the book be so well received at some of the higher-profile blogs and review
publications. There’s been more than one quote that would have buckled my knees
if I hadn’t already been sitting down when I read it.
But my absolute favorite comes from
the first reader who reviewed it on Goodreads - she said, “I felt like this
book had been written for me.” I know what that feels like, as a reader, so to
have accomplished it for someone else is just gratifying beyond words.
Thank you, Cecilia!
Do you have a question for our readers?
Thanks for having me. I’d love to
know if there are other fans of difficult, even off-putting characters out
there. Anyone think the scheming, cigarette-puffing Thomas and O’Brien were the
most interesting residents of Downton Abbey? Anyone secretly hoping to see Victoria
Grayson smack down Emily Thorne? Tell me which unlikeable characters you can’t
help but love!
One randomly selected person leaving a comment on today's blog will receive a copy of A LADY AWAKENED. (U.S. and Canadian addresses only)
~PJ