It wouldn’t be the
theater without a few theatrics…
Becoming a famous playwright is all Winnie ever dreamed about. For now, though,
she'll have to settle for assisting the celebrated, sharp-witted feminist
playwright Juliette Brassard. When an experimental theater company in London,
England, decides to stage Juliette's most renowned play, The Lights of Trafalgar, Winnie and
Juliette pack their bags and hop across the pond.
But the trip goes sideways faster than you can say "tea and
crumpets." Juliette stubbornly butts heads with the play's director and
Winnie is left stage-managing their relationship. Meanwhile, Winnie's own work
seems to have stalled, and though Juliette keeps promising to read it, she
always has some vague reason why she can't. Then, Juliette's nephew, Liam,
enters stage left. He's handsome, he's smart, he
is devastatingly British…and his family ties to Juliette pose a
serious problem, forcing Winnie to keep their burgeoning relationship on the
down-low. What could go wrong?
Balancing a production seemingly headed for disaster, a secret romance and
the sweetest, most rambunctious rescue dog, will Winnie save the play, make her
own dreams come true and find love along the way—or will the slings and arrows
of outrageous fortune get the best of her?
***This review contains spoilers ***
Nancy says:
I wanted to love this
book. It appeals to my interest in England and my enjoyment of theater, and it
has a dog. In the end, I came away with mixed feelings. There were many things
I liked about this story but some that just seriously didn’t work for me.
On the plus side,
Winnie is hard-working, loyal, and affectionate. Her insecurity about the play
she’s trying to write is explained well, making it believable and sympathetic.
Liam is a nice guy who has had a rough time lately despite business success.
He’s at loose ends personally but for understandable reasons.
Juliette generally
comes across well despite being a bit self-centered, and Roshni, her other
assistant, is a lively, warm, loyal and encouraging friend to Winnie. In fact,
I would say she’s Winnie’s closest friend based the way the two interact. That
was one of my problems with the ending.
The other supporting
characters, the play’s director, her partner, and the cast have minor roles,
but the director really shines. She’s professional, talented, and not
intimidated by Juliette’s fame. She’s also helpful to Winnie in a way Juliette
hasn’t been.
Winnie’s first date
with Liam is a lovely tour of London with beautifully written banter and more
earnest conversation.
On the downside, the
story starts slowly. There’s more than I needed about Juliette’s career and
Winnie’s stalled efforts as a playwright in the first two chapters. To me, the
story really begins in London. The action picks up once the characters arrive
there.
Juliette gives her
assistants the occasional great perk, such as tickets to a sold-out show, but
doesn’t take much interest in them personally. She promises to help Winnie with
her play but never follows through. That’s not bad in itself, especially since
she’s not the heroine, but it’s part of my problem with the ending.
Juliette more or less
orders Winnie to go out blind dates via an app so Juliette can get stories that
might break her out of whatever is stalling her playwriting efforts. Winnie
agrees to go, although reluctantly. At one of these dates, Liam appears at the
café that’s the designated meeting place. When he finds out about the planned
meeting, he sticks around and crashes it. Or he would’ve if Winnie hadn’t
agreed to see him later.
The banter between
Winnie and Liam is generally great, but every once in a while, Winnie says
something harsh that throws him off his stride. Yet this doesn’t lead her to
moderate her approach. At one point, he drops by the flat where Winnie is
working with Juliette, and Winnie thinks of him as a gigolo. This was not
depicted as humorous and threw me off. He isn’t dating anyone else, she isn’t
paying him to date her, and I saw no reason for applying that label to this
nice guy.
A neighbor offers to
watch the stray dog Winnie rescued. Since Juliette knows his family, Winnie
agrees. He seems like a nice guy until he mentions his fluffy pajamas and his
bedroom slippers to her during their first conversation. Then she takes an
interest in the slippers, tries them on and even borrows them. From this guy
she just met. For me, this crosses a line on both their parts, and I found it
off-putting.
Juliette and her
sister are estranged. When her sister, Isabelle, drops by in hopes of seeing
Juliette, who isn’t home, she and Winnie talk some about the sisters’ shared
history. At one point, Isabelle mentions her husband, and Winnie asks her
whether Juliette liked him. That also crosses a line for me. If Winnie wants to
know how Juliette once felt about her brother-in-law, she should ask Juliette.
Winnie’s intrusive
behavior grows worse. She learns Juliette had a serious relationship when she
lived in England years before. When she and Juliette discuss it, Juliette seems
to have nostalgic feelings about it. So Winnie decides to track down Juliette’s
former love and lies to Liam to get him to help her. She then asks the man questions about his
history with Juliette.
---SPOILER ALERT---
Undercurrents between
Winnie and Juliette erupt eventually, severing their relationship. Winnie goes
on to success as a playwright, and Liam sets up a meeting between the two.
Winnie and Juliette talk through their differences. Several years later,
they’re on a more equal footing. All that is well done—until the moment Winnie
says Juliette was her dearest friend. This didn’t work for me because Juliette
hadn’t behaved like a good friend and had done some manipulative and underhanded
things.
No hint of their being
good friends appears in the early part of the book, though a good relationship
implicitly happens between the epilogs. If anyone in the book is Winnie’s closest
friend, it’s her fellow assistant, Roshni. They support, encourage, and trust
each other throughout. They keep each other’s secrets while Winnie is keeping
secrets from Juliette.
---END SPOILER---
The romantic ending is
handled beautifully and is satisfying. The conflict between Winnie and
Juliette, for the reasons noted above, is not.
Near the end of the
book, there is a lovely scene between Winnie and her stepmother, but it didn’t
seem necessary to the overall story. While the book contains some references to
Winnie liking her stepmother but regretting that they aren’t close, this isn’t
a major element of the plot.
Overall, there is much
to like about these characters and the story. The relationship between Winnie
and Liam develops nicely despite the occasional stumble. I had some serious
issues, though, with the bits I didn’t feel worked well. Despite that, I do recommend
the book, especially for Anglophiles and theater fans.
3.5 Stars
~Nancy