An American Duchess
By Sharon Page
Publisher: Harlequin
HQN
Zoe Gifford, American
heiress and “new woman,” is still grieving the deaths of her brother and her
fiancé when a foolish mistake by her mother makes it imperative for Zoe to
marry in order to have access to her trust fund. Sebastian Hazelton,
younger brother of the Duke of Langford, seems to be the perfect partner for a
marriage of mutual convenience. His family needs money, and Zoe is willing to
pay generously for a husband who understands the marriage comes with an
expiration date. As a married woman, Zoe can command the funds to take care of
her mother’s problem, and she looks forward to being in charge of her fortune.
With the American divorce rate at 15 percent in the 1920s, divorce has lost
some of its stigma, and anyway Zoe has learned to live her life without undue
concern about what others think.
Nigel Hazelton, Duke of Langford, is a man deeply scarred by
war, physically and psychically, and the wounds didn’t end when he returned
home. His fiancée abandoned him, his youngest brother died of influenza, and
his entire way of life is threatened. Suffering from PTSD and fighting a rear
guard action to defend “the old ways, the old
standards” that include “showing respect to one's class and position,” Nigel is
vehemently opposed to his brother’s marrying the brash American heiress with
her short skirts, contempt for propriety, and inappropriate knowledge of
automobiles and airplanes.
Once Zoe and her
mother arrive in England, the situation becomes more complicated than Zoe
anticipated. Sebastian ignores the conditions of their engagement, and Zoe clashes
with Nigel from their first meeting. Her manners and her dress shock the
household, upstairs and down. But despite their opposition, Zoe and Nigel are
drawn to each other, an attraction that results in a marriage quite different
from the one Zoe had planned. Marriage doesn’t change Nigel’s commitment to the
old ways or Zoe’s embrace of the new. Guilt and grief in a seemingly endless
cycle make more loss more likely than life lived happily ever after.
An American Duchess is a book I wanted to like much more
than I did. I have long wanted to see more romance fiction set in the first
half of the twentieth-century, and I was delighted with the premise of this
book. At first, Zoe is a wonderful heroine of the period, aware of her sex
appeal (a term that was coined in the 1920s), boldly challenging established
gender roles, and claiming her autonomy undaunted by the hostility her choices
evoke in others. Nigel’s anguish seems real, and his desire to protect the life
he was reared to inherit rings true as well. Page effectively captures the
battle between modernism and the pre-war world. I was fully engaged with the
story until Zoe and Nigel marry.
Some of my all-time
favorite romance novels use the marriage-in-trouble trope, so I had high
expectations for the second part of this story. Zoe’s naïve belief that she
could “make” Nigel happy and his inability to let go of the past and allow Zoe
fully into his world set up conditions for continued conflict, gradual growth,
and a happy resolution. But instead of forward motion, the story’s movement
becomes repetitive cycles of angst with misunderstanding intensifying. I found
it increasingly difficult to feel sympathy for either of the lead characters.
Soon I just wanted to reach the end. Honestly, if I had not been committed to
reviewing the book, it would have been a DNF for me.
To be fair, I would
have given the first part of An American
Duchess an unqualified recommendation, and readers who like unrelieved
angst more than I do may well find the second part more
satisfying than I did. There is also abundant sizzle, a decided plus for many
readers. The star ranking reflects my ambivalence.
~Janga


