Showing posts with label Rose Lerner. Show all posts
Showing posts with label Rose Lerner. Show all posts

Saturday, June 18, 2016

Rose Lerner Winners







The randomly chosen winners of an e-copy of Gambled Away are:

Timitra

and

fsbuchler

Congratulations!

Please send your email address to:

theromancedish (at) gmail (dot) com




Thursday, June 9, 2016

Today's Special - - Rose Lerner and Gambled Away





Rose Lerner joins us today. Rose discovered romance novels at age thirteen and wrote her first historical romance a few years later. She's still fascinated with England's Regency and still writing historical romances. Some of them have hit our "best of" lists the past few years. She says that when she's not reading, writing, or researching, she enjoys cooking and binge watching old television shows. Rose's newest published story is part of an anthology titled Gambled Away. More about that at the bottom of this post but first, welcome back, Rose! 





Hi! I’m really, really happy to be back at the Dish. Y’all are the best, which is good because I want to talk about something kind of weird and personal today.

When I was in high school, I had a best friend. Let’s call her Beatrice. Beatrice hated to be bossy, but she also really, really wanted to get her own way. (Looking back, I can sympathize, but at the time I didn’t really understand what was going on, just that it made me feel bad.)

Every time we went out to eat (which was often, because we spent A LOT of time together), the conversation would go like this:

BEATRICE: Where do you want to eat?
ROSE: Let’s get Arby’s.
BEATRICE: I just had Arby’s yesterday.
ROSE: How about that place with the really good tomato soup?
BEATRICE: I dunno, I’m not really in the mood for that...
ROSE: Where do you want to eat?
BEATRICE: Oh, no, I want to go somewhere you want to go!
ROSE: How about pizza?
BEATRICE: Ooh, yes, pizza sounds great!

Essentially, I don’t think she meant to do it, but she would ask me what I wanted and then push me into trying to guess what she wanted. So not only were we not going where I wanted, but also the decision was my responsibility! And if I chose the restaurant and she didn’t like her dinner (she often didn’t like her dinner), I felt awful.

And the thing is, I didn’t mind going where she wanted! But over time I grew to resent having to play this little game, so I started saying, “Oh, wherever’s fine.” And I would stick to it, stubbornly laid-back, refusing with all my heart to have an opinion. It was surrender, but it was resistance, too.

By some bizarre emotional alchemy, after a year of saying it...I actually stopped knowing what I wanted to eat. When I was alone, I had no problem. But put me in a group, and desire deserted me. I would run through restaurants and favorite dishes in my head and feel nothing about any of them.

How can you just not know what you want to eat? Isn’t food the most basic appetite of all? But I wonder how unusual it actually is. I know my BFF had a similar problem: when we first started hanging out, we had to make an ironclad rule that we would take turns choosing the restaurant, and we had to enforce it ruthlessly. No cheating!

It sounds so petty, but it was brutal. Sometimes we would sit in silence for five minutes while one of us racked her brain for something that sounded like maybe she might want to eat it. I remember once I came up with somewhere that had mac-and-cheese I liked, and we went there, and the place was closed. I sat in the car with her in the dark in an agony of embarrassment and indecision, so hungry and apologizing over and over for my brain being completely, helplessly, stubbornly blank. I can still remember the street, and my steering wheel, and trying to laugh.

Obviously, there were other issues in my life, and in my relationship with Beatrice, than just food. But it still amazes me to think I went, in one year, from having no problem at all with this particular task, to this ludicrous gap in my own brain.

When I was writing Simon, the hero of my new novella “All or Nothing” (who’s still trying to get over his intense college relationship with a guy who has some things in common with my friend Beatrice), I thought about that a lot — the ways in which we can lose touch with our own desires when we don’t feel like we have freedom of choice. The ways we let ourselves grow into the empty spaces around other people’s questions instead of asking our own. And most importantly, the ways people in a good relationship can give each other space to grow in any direction they feel like.

When you don’t trust yourself, following your heart can feel like the biggest gamble there is.

Are you still friends with your best friend from high school?
What's your favorite restaurant?
What's a bad habit you had to unlearn from an old relationship?

Rose is giving away two e-book copies of Gambled Away.


Get revenge. Pay a debt. Save a soul. Lose your heart.

Spanning centuries and continents, five brand-new novellas from beloved historical romance authors tell the stories of men and women who find themselves wagered in a game of chance and are forced to play for the highest stakes of all: love.

“Gideon and the Den of Thieves” by Joanna Bourne

London, 1793 – Soldier of fortune Gideon Gage has come home from halfway around the world, fully prepared to face down a ruthless gang to save his sister. But there’s one member of the gang he could never have been prepared for: fascinating Aimée, driven from her own home by the French Revolution and desperately in need of his help.

“Raising The Stakes” by Isabel Cooper

California, 1938 — When the flute she won in last night’s poker game unexpectedly summons an elven warrior bound to her service, two-bit con artist Sam takes quick advantage. With Talathan’s fairy powers at her command, her shakedown of a crooked preacher is a sure thing…but would she rather take a gamble on love?

“All or Nothing” by Rose Lerner

England, 1819 – Architect Simon Radcliffe-Gould needs someone to pose as his mistress so he can actually get some work done at a scandalous house party. Irrepressible gambling den hostess Maggie da Silva would rather be his mistress, but she’ll take what she can get…

“The Liar’s Dice” by Jeannie Lin

Tang Dynasty China, 849 A.D. — Lady Bai’s first taste of freedom brings her face to face with murder. A dangerous and enigmatic stranger becomes her closest ally as she investigates the crime, but can she trust her heart or her instincts when everyone is playing a game of liar’s dice?

“Redeemed” by Molly O’Keefe

Denver, 1868 — After agonizing years in the Civil War’s surgical tents, Union doctor James Madison has nothing left to lose. But when beautiful, tortured Helen Winters is the prize in a high-stakes game of poker, he goes all in to save her—and maybe his own soul.

Monday, January 18, 2016

Rose Lerner Winner





The randomly chosen winner of an e-copy of

Listen to the Moon by Rose Lerner is:

erin

Congratulations, erin!

Please send your email address to:

theromancedish (at) gmail (dot) com


Tuesday, January 12, 2016

Today's Special - - Rose Lerner


Today, we welcome Rose Lerner back to The Romance Dish. Rose's new book, Listen to the Moon is the third installment in her Lively St. Lemeston historical romance series. Janga and I both highly recommend her books. (Read Janga's review of Listen to the Moon) If you haven't read her books yet, the first two in the Lively St. Lemeston series are currently on sale in e-book format. Download Sweet Disorder at $0.99 and True Pretenses at $1.99. Sign up for Rose Lerner's mailing list at http://bit.ly/roselist. Connect with her at Twitter and Facebook



Hi everyone! So excited to be back at the Dish. Today Im talking about makeovers!

Theres a scene in my new valet/maid Regency romance, Listen to the Moon, where my heroine Sukey decides to splurge on dressing up for the New Years servants ball in Lively St. Lemeston. She wants to impress her new husband John:

Shed never much minded wearing her only gown before. When you dressed for coal-stains and dust every day, it was exciting enough to be clean and curl your hair and leave off  your cap and neckerchief. Shed always felt pretty. But she hadnt been married then. She had nobody to impress.

John had laughed up his sleeve at her when shed bragged of Lively St. Lemeston servants
balls. God only knew what the servants hed been used to living among got up to at the New
Year. They drank champagne, most likely. They owned evening gloves and dancing slippers.

She was tired of feeling small and young and country mouse, and as if John had done  her a favor by condescending to marry her. She wanted him to pay her court, and feel smug about his luck. She wanted to be better than pretty. She wanted to be beautiful.

There is something about a makeover scene that is so satisfying! That moment when one protagonist sees the other dressed up, really dressed up, for the first time (often at the top or bottom of a staircase), and their jaw drops to the floor...I love it every time! I love it when:

       someone says, You do clean up well
       the buddy cops have to dress up for a case and see each other in a tux/dress/whatever for the first time (in fact, I love formalwear episodes of every kind)
       someone takes the shy debutante under their wing and teaches her to dress to flatter her figure/face
       someone tugs uncomfortably at their tie/the neckline of their stunning gown/dress uniform because they are a rough-and-tumble person, really--but damn they look incredible right now

I COULD GO ON.

So, ten of my favorite fictional makeover/dressing-to-impress scenes and stories!

1. Iron Man, when Tony sees Pepper in that sea-green dress and for a second he doesnt recognize herand then he does and hes so, so happy!


Tony already thinks Pepper is the most perfect, beautiful person in existence, but something about her being at a party (even if its an office party) and wearing a fancy dress gives him permission to shift things in a romantic directionand it makes Pepper feel brave enough to think about letting him. Every line of this scene makes me squee.

2. Any Duchess Will Do by Tessa Dare is one of my favorite Pygmalion romances. I still think about the dowager duchesss advice for walking in heels every single time I wear them, which is not often (imagine theres a thread attached to your navel pulling you forward).

The scene where Halford sees Pauline in her duchess get-up for the first time during a fencing lesson and is so distracted he falters and gets cut is amazing, even though the fencer in me is screaming WHY ARENT YOU WEARING A DAMN HELMET? WHY ARENT THERE BUTTONS ON YOUR FOIL?

3. Laurel Lance dressing up for Tommys fundraiser in Arrow (episode 1x6). Hes throwing the fundraiser for her law clinic because he lurrrrves her, so shes dressing up for the law clinic...but also to say thank you to Tommy. Her willingness to abandon her flats for a night is a signal to him that shes willing to give their relationship a chance.



4. A Bollywood Affair by Sonali Dev. Mili can barely pay rent. Her wardrobe consists of the same cheap t-shirt in ten colors, so when her friend Ridhi loans her a sexy churidar suit for her wedding...well, Ill let Samir tell you:

It had been hard enough when she wore those boxlike T-shirts on her unboxlike body...[T]he last thing he needed to see, to know, was that she blushed with her entire body, that the glistening luminosity of her skin wasnt restricted to her face, to her arms. Shit, he was thinking about the skin on her arms. And he couldnt believe how bloody erotic the thought was.

Yes, yes, and yes. Of course Mili falls down the staircase into Samirs arms instead of gracefully descending it, but hey, thats still part of the fantasy, isnt it? Im still my normal dorky self under all this silk.

5. Have His Carcase by Dorothy Sayers, when Harriet wears the wine-colored frock. I love everything about this scene: that Peter told her he wanted to see her in a wine-colored frock because it would suit her honey-colored skin; that she ran back to the car to ask him what kind of wine; that he answered with a vintage and year (Château Margaux 1893); that she actually bought the dress because she is totally softening towards him; that when they dance Harriet is totally caught up in the romantic fantasy of the makeover/party while Peter (either out of gentlemanliness or obsession) restricts his conversation entirely to the case; that her feelings are hurt (Wimsey had never danced with her, never held her in his arms before. It should have been an epoch-making moment for him); that he SEES that her feelings are hurt and he is SO FLATTERED; and that, best of all, he lavishes theatrically-overdone-but-entirely-sincere compliments on her, including:

I have waited a thousand years to see you dance in that frock.

My darlings. MY HEART.

6. 12 Monkeys (the Syfy series), pretty much every time Cole and Cassie have to go to a fancy party as part of their mission--but especially in the pilot, where they attend their first gala at an art gallery. The makeover moment is especially amazing because time-traveler Cole is from a violent, impoverished dystopian future where having really clean clothes, enough to eat, or even just five minutes to relax is an idle fantasy. He loves his suit, he loves her dress, he loves looking at art, he loves dancing, he loves dancing with Cassie, and hed really like to just take a moment to enjoy the party with her. Cassie is very goal-oriented and doesnt let him slack for long, but they do get a lovely dance in...



7. Crazy Thing Called Love by Molly OKeefe, in which TV morning show host Maddie has to give her ex-husband Billy, a fighting hockey superstar, a makeover on camera. My favorite thing about this was how the new clothes and look gave Billy a new sense of worth and potential. Hes used to thinking about his body as something thats just for fighting, that isnt valuable or worth protecting or paying attention to, and seeing him put on a nice soft sweater and think that maybe hes more than that...Im kind of tearing up writing this sentence, actually.

8. Brooklyn Nine-Nine. This show is actually pretty giving when it comes to both formalwear and dress uniforms (as is Arrow), but I think the time in the season 1 finale when Jake and Amy had to go undercover as competitive ballroom dancers is particularly worthy of note. Jake blurts out that Amys dress made her look like a mermaid (it did) and then he teaches her to dance!













9. Rebecca. Okay this is not really the trope but its such a beautiful subversion of it that I had to include it. The second Mrs. de Winter is so desperate to impress her husband with how well she hostesses their big masquerade ball, and she sends away to have the outfit in one of the family portraits copied (at the suggestion of evil housekeeper Mrs. Danvers). She descends the stairs, gleefully anticipating Maxs reaction...




only to have him practically throw up and demand that she change her clothes. Oops! Turns out his dead first wife Rebecca wore that costume at the last ball! Max also hates it when she orders new clothes from London. He doesnt want her to look grown-up and sophisticated and like a member of his own class; instead, he wants her to stay a grubby poor child he can control. Because Rebecca is not a romance! Seriously, I love Gothics so much. The real villain is always the patriarchy.

10. Jeannie Lins My Fair Concubine, another wonderful Pygmalion story. Like Max de Winter, Fei Long doesnt like watching Yan Lings transformation from tea girl to noblewoman...but its because he misses her bold outspokenness, now buried under a layer of manners and propriety.

When she and her new maidservant Dao experiment with makeup, Yan Ling loves how different it makes her feel. Shes crushed when Fei Long reacts with shock and criticism...but he is only masking how overcome he is by attraction! As she tries to scrub the makeup off, mortified, he seizes her in his arms and kisses her for the first time:

[H]is kiss soothed over lips still sensitive from the rough scouring shed given them.

Mmm. You know how sports fans watch TV, shouting at the screen? Thats me reading this scene: MAKE OUT! MAKE OUUUUUUT! Wooooo!


Whats your favorite makeover moment?

Rose is giving away an e-copy of Listen to the Moon to one person who leaves a comment on today's post. 

John Toogood dreamed of being valet to a great man...before he was laid off and blacklisted. Now he's stuck in small-town Lively St. Lemeston until London's Season opens and he can begin his embarrassing job hunt.
His instant attraction to happy-go-lucky maid Sukey Grimes couldn't come at a worse time. Her manners are provincial, her respect for authority nonexistent, and her outdated cleaning methods--well, the less said about them, the better.
Behind John's austere façade, Sukey catches tantalizing glimpses of a lonely man with a gift for laughter. Yet her heart warns her not to fall for a man with one foot out the door, no matter how devastating his kiss.
Then he lands a butler job in town--but there's a catch. His employer, the vicar, insists Toogood be respectably married. Against both their better judgments, he and Sukey come to an arrangement. But the knot is barely tied when Sukey realizes she underestimated just how vexing it can be to be married to the boss...

Warning: Contains a butler with a protective streak a mile wide, and a maid who enjoys messing up the bed a whole lot more than making it.

Wednesday, January 6, 2016

Review - - Listen to the Moon

Listen to the Moon
By Rose Lerner
Publisher: Samhain
Release Date: January 5, 2016



John Toogood is a man who likes his work, and he is on his way to seeing his ambition fulfilled when the choices someone else makes leaves John without a job. It isn’t that John thinks Nick Dymond was wrong to marry Phoebe Sparks (Sweet Disorder); it’s just that John was unprepared for the effect of that decision on him. He accepted the position as valet to Nick at the request of the Countess of Tassell, Nick’s mother, expecting to return to the service of Nick’s older brother Stephen, Lord Lenfield, whose political ambitions offered more scope for a skilled valet. John did not expect the countess’s displeasure over Nick’s marriage to lead her to blacklist him among men within her circle of influence. Since Nick can no longer afford to pay a valet’s salary, John is jobless. Needing a place to stay, he rents the rooms formerly occupied by the newly married Phoebe Dymond, despite the fact that he finds disturbing his awareness of Sukey Grimes, the audacious maid who cleans the rooms—and not very efficiently in John’s opinion.

Sukey Grimes (and I feel certain Lerner intended readers to chuckle at that name for a character who cleans haphazardly) and John have little in common. Their attitude toward their work is different, their upbringing was different, their status in servants’ hierarchy is different, and there is an eighteen-year age difference between forty-year-old John and the younger maid. Sukey’s philosophy is that one should do just enough work to get paid. She wants to make enough money to support herself, maintain her independence, and prove wrong her mother’s prediction that Sukey will end up in the workhouse. She is amused by John and just as aware of his attractions as he is of hers. Regardless of the mutual attraction, John fears taking advantage of Sukey, and their early relationship can be described as a flirtatious friendship with an adversarial edge. But circumstances change. When John is offered a job as butler in a vicar’s household contingent upon his being a married man, he asks Sukey to be his wife and part of his staff. Sukey is not in love with John, and she is not interested in marriage to anyone. She has a very negative view of the institution. But when she needs a job, John’s proposition becomes more appealing. Can these two very different people make a success of their new jobs and their new marriage?


Regulars at the Dish know that I’m a huge Rose Lerner fan and have been since her first book. Each of her books has given me something new to rave about. I love the way this third book in the Lively St. Lemeston series takes established romance tropes and gives them not exactly a twist bur rather applies them in a new situation. The marriage of convenience is one of the oldest and best loved tropes. I must have read thousands of romances that use it, but this is the first time the marriage of convenience has been between a valet turned butler and a maid. I also consider this a cross-class romance. Lerner makes her readers aware that the servants’ world is no less hierarchically structured than is that of their employers. If you have read many Regency/ Victorian romances, you have doubtless been told this. The difference here is that Lerner shows us the differences in a valet, a butler, and a maid. To cite just one small detail--when John and Sukey first meet, he gives her his card: “He pulled a card out of his pocket. John Toogood, it read. Gentleman’s Gentleman. His own card! Upper servants were another species, right enough.”

Lerner also uses her impressive research skills and commitment to historical accuracy to give her readers not a backdrop but a world—a world very different from the usual one of ballrooms, house parties, curricle races, and gentlemen’s clubs but no less dimensional and detailed for all its differences.

Finally, I applaud the way Lerner handles the substantial age difference. It is neither ignored nor exaggerated. It is handled with a degree of realism that I don’t remember encountering in another historical. There is something of the father-daughter dynamic in John and Sukey’s relationship. He comes across as paternalistic at points, and she behaves like a child at times. John feels a particular responsibility:

She's been lonely and afraid, young and inexperienced, and he'd used it to talk her into a marriage that she'd turned down when she had a job.

The more he wanted her, the more he needed her, the more he asked her for - the less chance she would have to be the woman she'd wanted to be, who stood on her own two feet, who had nothing between her and the sun. The less chance she'd have to discover what she really wanted. He'd been collecting his burdens for forty years. Even if they'd grown heavy for him, she was too young to be asked to shoulder half.                      
                      

Lerner minimizes neither the personal nor the job-related obstacles in their relationship. Love is messy and difficult and challenging as often as it is exhilarating and comforting, and transcendent. This story recognizes that truth.

If you like romances that are unconventional, if you like to see a relationship develop as the H/H change and grow, if you are a Downton Abbey fan, or if you just long to read a story that pulls you into its world, add Listen to the Moon to your TBR immediately.  I highly recommend it.

 ~Janga





Thursday, October 22, 2015

Rose Lerner "Sneak Peek" Winner








The randomly chosen winner of a Lively St. Lemeston Kindle e-book by Rose Lerner is:

Mary Preston

Congratulations, Mary!

Please send me an email with your choice of either Sweet Disorder or True Pretenses.

theromancedish (at) gmail (dot) com




Friday, October 16, 2015

Sneak Peek Cover Reveal and Excerpt - - Listen To The Moon


If you're a regular here you already know that both Janga and I are ardent fans of Rose Lerner's writing, describing her books with phrases such as: "a treasure," "cross class romance," "a portrait of ordinary life," "willingness to write outside the norm," and "refreshingly atypical hero and heroine." Sweet Disorder, the first book in Lerner's Lively St. Lemeston series made Janga's Top 10 Romance Novels of 2014 and the second book in the series, True Pretenses is among my favorites for 2015. I'm delighted today to bring you the exclusive cover reveal and excerpt from the third book in Lerner's Lively St. Lemeston series, Listen to the Moon. I've already pre-ordered my copy and marked my calendar for January 5, 2016! 




LISTEN TO THE MOON
By Rose Lerner
Lively St. Lemeston - Book 3
Publisher: Samhain Publishing, Ltd.
Release Date: January 5, 2016
Pre-Order Link


John Toogood dreamed of being valet to a great man…before he was laid off and blacklisted. Now he’s stuck in small-town Lively St. Lemeston until London’s Season opens and he can begin his embarrassing job hunt.

His instant attraction to happy-go-lucky maid Sukey Grimes couldn’t come at a worse time. Her manners are provincial, her respect for authority nonexistent, and her outdated cleaning methods—well, the less said about them, the better.

Behind John’s austere façade, Sukey catches tantalizing glimpses of a lonely man with a gift for laughter. Yet her heart warns her not to fall for a man with one foot out the door, no matter how devastating his kiss.

Then he lands a butler job in town—but there’s a catch. His employer, the vicar, insists Toogood be respectably married. Against both their better judgments, he and Sukey come to an arrangement. But the knot is barely tied when Sukey realizes she underestimated just how vexing it can be to be married to the boss…



 EXCERPT


Sukey Grimes, maid-of-all-work, gave the chipped mantel a last pass with her duster. Empty of furniture, the two attic rooms looked nearly a decent size. But on a rainy day likethis, nothing could hide the leak in the roof. The boards in the ceiling swelled and rotted,and water dripped into a cast-iron pot with a constant plip plip plip.

Someone knocked.

“Mrs. Dymond, is that you?” Sukey called. “I’ve been over these rooms, and if your sister happens to be missing a hairpin with a lovely rosette on it, I simply can’t imagine where it could have got to.” She pulled the pin from her hair and held it out as she opened the door.

It wasn’t Phoebe Dymond, former lodger in these rooms, or her new husband Nicholas Dymond either. It was a very tall, very well dressed, very—“handsome” wasn’t in it. Oh, he was handsome; there weren’t any bones to be made about that. But handsome was ten for a penny. This man had character. His jaw might have been hewn from oak, and his nose jutted forward, too large on someone else’s face but perfect on his. His warm, light-brown eyes stared right into her, or would have if he’d seemed the slightest bit interested in her.

He glanced down at the hairpin, lips thinning. His eyebrows drew together, one bumping slightly up at the side. The tiny, disapproving shift brought the deep lines of his face into sharp relief.

Oof. He as good as knocked the breath out of her, didn’t he? “I’m that sorry, sir, I thought you were somebody else.” She tucked the pin back into her hair with relief. Mrs. Dymond’s little sister had made the rosette from a scrap of red ribbon that showed to advantage in Sukey’s brown hair. “Are you here about the rooms for let? They come with a bed,” she said encouragingly, quite as if the mattress had been restuffed in the last half a decade.

The eyebrows went up together this time. “I am Mr. Toogood. Mr. Dymond’s valet.” The calm, quiet growl of his voice knocked the breath out of her too. Deep and powerful, it was made for loudness, even if he kept it leashed. Tamed, he probably thought, but Sukey didn’t think you could tame a voice like that, only starve it into temporary submission.

She wondered what Mr. Toogood would sound like tangled with a woman in that lumpy bed. Were bitten-off growls all he’d allow himself there as well? She’d never find out—she had never tangled herself up with any man yet, and never planned to—but it was nice to think about nevertheless.

Tardily, her brain caught up with her ears. “Not anymore, are you? Or you’d know not to look for him here.” She didn’t expect Mr. Dymond could afford a valet now he’d married beneath him.

Mr. Toogood didn’t flinch. If anything, he looked more calmly superior than before. “No, not anymore, that’s correct. Can you tell me where I might find the Dymonds?” That voice rubbed up and down her spine.

She made a show of considering. “I don’t know as I’d ought to tell you. How am I to be sure you are who you say you are?”

To her surprise, his lips twitched. He pulled a card out of his pocket. John Toogood, it read. Gentleman’s Gentleman. His own card! Upper servants were another species, right enough.

She pocketed the card to show the maid next door. “Oh, that don’t prove a thing. Anybody can have cards printed.”

His lips curved, the lines between his nose and the corners of his mouth deepening in a very pleasant way. “And anybody can sweep a floor thoroughly, but I don’t accuse you of doing it.”

***




Have you read Rose Lerner's books yet?

Do you have a favorite?

Do you enjoy stories about "ordinary" characters?

I'm giving away a Kindle copy of one of the first two Lively St. Lemeston books to a randomly chosen person who leaves a comment on today's post. Winner's choice of Sweet Disorder or True Pretenses










Monday, June 15, 2015

On Second Thought - - In for a Penny

Graphics by Sharlene


We're premiering a new feature at the Romance Dish today. Sometimes we miss a book - or an author - the first time around. There are so many books published each month and, let's face it, there just aren't enough hours - or dollars - to read them all so some never make it onto our reader radar. Occasionally, a company will reissue a previously published book. Also, with the growing popularity of e-books, many authors have regained the rights to their traditionally published books and are giving them a second chance on the digital platform. All of this gives readers a second chance to discover a wonderful story they may have missed. On the 15th of each month, Janga will be bringing us a review of one of those reissued books and, hopefully, giving you the opportunity to discover a wonderful new book that you may have missed when it was first released or remind you of the reasons you enjoyed reading it the first time around. We hope you'll join us the 15th of each month for On Second Thought



In for a Penny
By Rose Lerner
Publisher: Samhain
Release Date: June 2, 2015





In her 2010 debut novel, In for a Penny, Rose Lerner gives readers a cross-class marriage of convenience tale that combines the lightness of the best traditional Regencies with the gravitas of a novel of social criticism. The result is a fresh take on an old trope and a historical romance novel that deserves a much wider readership than it had when it was originally released. Hurray for Samhain’s reissue!

Nathaniel Ambrey, Viscount Nevinstoke, is an amiable young man who enjoys his life of merrymaking with his friends and his beautiful mistress. He lives strictly for the moment with no thought of tomorrow beyond what amusement the day may bring. That changes when his father is killed in a foolish duel and Nev is forced to deal with the results of a lifetime of excess and thoughtlessness.  Nev becomes the Earl of Bedlow with an estate that has been neglected and exploited and a burden of debt so heavy that even selling his town house, his mother’s jewels, and everything else that is unentailed hardly makes a dent in what he owes. When his sister, Louisa, offers to marry a wealthy merchant, Nev assures her that such a sacrifice is unnecessary, but Louisa’s suggestion reminds him that he met and liked the daughter of a wealthy brewer. She just might be the solution to his problem.

Penelope Brown has no interest in a titled husband. Her memories of the slights and mockery she endured at the hands of her aristocratic schoolmates are still fresh, and she has no illusions about how she and her mother are regarded when they attend social events hosted by the few former schoolmates who remember Penny. When she thinks of marriage, it is an ambitious young man of her own class whom she sees as her husband. Thus, Penny surprises even herself when she accepts Nev’s proposal, even though he makes no secret of the fact that his offer is prompted solely by his desperate need for her dowry.

Neither Nev nor Penny is prepared for all the problems that await them at Loweston, his country seat. The estate and its tenants are even more impoverished that Nev expected, and he has no idea how to deal with the poverty or the simmering resentment. With much of Penny’s money tied up for their children, the funds they have are insufficient for all that needs to be done. An incompetent steward and a vicar who is the very worst sort of pompous, self-righteous fool with no understanding of Christian charity further complicate  matters, as does a neighbor who is willing to go to extremes to control the workers who he is convinced are poised for revolution.

On the personal front, things are not much better. Nev and Penny, despite their differences, genuinely like one another, and that liking develops into warmer feelings. But they are very young (Penny is nineteen; Nev is twenty-three), and they are plagued with insecurities. Penny cannot forget that she is not a true lady, the kind of wife Nev should have, and just in case she should forget for a moment, his mother is there to bemoan the unsuitability and low origins of Nev’s wife. Convinced that the only thing she has to contribute is her money and the knowledge of bookkeeping she has learned from her father’s business, Penny is unwilling to be open about her feelings.

Nev is just as reticent. He feels that he is a failure who has to depend on his wife’s money and cleverness to accomplish anything. He believes Penny deserves a better husband. They are each too determined to protect their vulnerabilities to build on the things they do have in common such as a sense of humor and a love of music or to comprehend that Penny’s understanding of economic principles and Nev’s people skills are actually complementary.  Their marriage and their very lives will be endangered before they share their feelings and claim the happiness they deserve.

Penny and Nev are both wonderful, richly developed characters who struggle and grow during the course of the story. From the beginning, they are individuals who act against type. Romance fiction is filled with aristocrats who court the daughters of wealthy cits or who, at least initially, resent the merchant class heiresses they are forced to marry, often while imagining themselves in love with some more suitable beauty. But Nev never pretends to be anything other than what he is, an inept lord who seeks to marry wealth in order to save his estate and his family. He is grateful to Penny and protective of her dignity, and he quickly comes to appreciate her intelligence, kindness, and strength. He never makes false promises, telling her only that he expects they “could rub along tolerably well together.”

Although Penny admittedly enjoys Nev’s kisses from the first one they share, she never sees him as a romanticized, impossibly handsome figure whom she loved at first sight. She views him as “a perfectly ordinary-looking young man” of “middling height” with hair that is “merely brown” and eyes that are “an ordinary blue, of an ordinary shape and size.” There is something distinctly Austenesque in her response to Nev’s proposal: “ I see no reason why two people of good sense and amiable dispositions should not find a tolerable measure of conjugal felicity, even if they are not, perhaps, united by those bonds of affection and familiarity which one might wish.” Even their lack of communication, which might be irritating in more conventional characters, is believable and forgivable in light of their youth and their particular situation.

The secondary characters are also well developed, and each serves a purpose. I especially liked Penny’s parents, who, far from plotting to see their daughter marry a title, express concern when she accepts Nev. They love their daughter, and their primary concern is her happiness. Her father goes so far as to assure her at the wedding that if Nev makes her unhappy, divorce is an option, regardless of the scandal and expense. Nev’s initial meeting with the Browns is one of the most delightful scenes in the novel, and it is fitting that mutual affection develops between Nev and his in-laws.

When I first read In for a Penny five years ago, I knew it was an extraordinary debut book in its depth of characterization, its attention to historical detail, and its engaging story. Penny and Nev were characters I knew I would revisit, and Rose Lerner was an author I knew I would recommend to friends. Each rereading has strengthened that opinion and my appreciation for this gem of a book. I give it my highest recommendation. And if, after you have read it, you need an audience for your raves, I’m available. I always enjoy having my status as a discerning reader affirmed.

~Janga


Have you read In for a Penny or any of Rose Lerner's other books?

What books or authors have you discovered through a reissue?

What books do you enjoy revisiting?

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