The Spring at Moss Hill
By Carla Neggers
Publisher: Harlequin Mira
Release Date: January 26, 2016
Kylie Shaw wound up in Knight’s Bridge, Massachusetts,
because one of her art professors had a country home there that happened to be
empty when Kylie needed a quiet spot free of distractions to focus on her work
as an illustrator. What was supposed to be a brief stay stretched into many
months. When the professor decided to sell her home, Kylie, not ready to leave
Knight’s Bridge, became the first occupant of the loft apartments that were
part of the Moss Hill complex, a nineteenth-century hat factory renovated by
local architect Mark Flanagan.
Kylie found the small town perfect not only to concentrate
on her latest project, illustrations for a series of fairy tales, but also to
work on the wildly popular children’s books she writes and illustrates as Morwenna
Mills. No one, not even her family, knows that Kylie is Morwenna, and since
Kylie is unsure of how people will react to her unexpected fame, she is not
eager to disclose her dual identity. Learning that a private investigator will
be moving into the apartment across from hers disrupts Kylie’s peace. It
wouldn’t take much digging for a smart PI to discover Kylie and Morwenna are
one and the same. But once she meets Russ Colton, Kylie finds it difficult to
dodge his questions and more difficult to ignore the attraction she feels for
the hunky investigator.
Russ Colton is not happy about becoming a temporary resident
of some small town that he never heard of until his client, Hollywood designer
Daphne Stewart, insisted that he check it out before she returns to the place
where her design work began (That Night
on Thistle Lane, Swift River Valley #2) to conduct a master class in
costume design. Daphne is not sure whether the bad vibes she’s getting about
her trip are warnings of a real threat or the result of her paranoia about her
past. Russ is convinced it is the latter, but almost as soon as he gets into
town, he learns that rumors are circulating about the safety of the Moss Hill
complex. Then there is his neighbor: Kylie Shaw clearly is hiding something,
and neither her evasions nor the probable irrelevance of her secret to Daphne
will stop Russ from unlocking the puzzle of the blonde artist who arouses his
curiosity and his libido.
This is the sixth book in Neggers’s Swift River Valley
series. Like the other books in the series, Knight’s Bridge itself with its
history and the entangled threads of the town’s old families is a large part of
its appeal. Fans of the series will doubtless be pleased at the updates the
author provides on couples from most of the other books. Kylie and Russ are
likeable characters who find friends in the welcoming community and the promise
of an HEA with each other. Russ’s California ties not only to Daphne but also
to his brother Marty add interest to the story.
Despite these strengths, however, the story never quite came
together for me. Kylie’s desperation to protect her alternate identity seems
incomprehensible given the lack of any threat, physical or psychological.
Daphne’s fears are a bit more understandable, but they still seem exaggerated
in light of her years and achievements. There is a secondary romance that
fizzles, and the “villain” threatening Moss Hill is more pathetic than
dangerous.
If you have read and liked the other Swift Valley books, you
will likely find enough of interest in this one to make it worth the read. If
you are new to the series, I recommend you start at the beginning with Secrets of the Lost Summer and Night on Thistle Lane, foundational
books with engaging characters and tight, comprehensible plots.
Sounds vg.
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