Mr. Right Goes Wrong
By Pamela Morsi
Publisher: Harlequin HQN
Mazy Gulliver has a long history of falling for losers. In
high school the loser was Tad Driscoll, wealthy, good-looking Mr. Everything
who denied paternity when Mazy became pregnant, leaving her to bring up her
son, Tru (now fourteen), on her own. But even for Mazy, her most recent bad
judgment was a doozy. She covered for a crooked CEO and ended up not only
losing everything but also being charged with conspiracy, serving four hundred
hours of community service, and owing $15,000 in restitution. But that
devastating experience and some understanding of her behavior acquired through
therapy have left Mazy determined to break the pattern. With that intention, she returns to her
hometown and demands that her ex Tad Driscoll give her a job. He does; he
employs her as a loan collector. It’s not a job likely to endear Mazy to the
citizens of Brandt Mountain, North Carolina; nevertheless, it provides an
income. Mazy sets out to create a new life for herself and her son.
Eli Latham can hardly remember a time when he wasn’t in love
with Mazy Gulliver, but since he was a year younger and the boy next door, she
never really took him seriously. Even though he twice served as her rebound
lover, Mazy still thought of him only as a good friend. Eli was too nice to be
her type. Despite their history, Eli is happy that Mazy is back in town. His
family cautions him that crazy Mazy will just break his heart again, but this
time Eli is going to see that one nice guy finishes first, even if he has to jettison
his nice-guy ways in order to give Mazy the man he thinks she wants. “How
tough was it to be a hard-ass? Some of the stupidest guys he knew managed it
nearly every day of their life.”
In
Mr. Right Goes Wrong, Morsi gives readers two imperfect characters. Mazy is a
smart, independent woman who loves her son, but she has made deeply flawed
choices in romantic partners. Eli is a genuinely nice guy—kind, loyal, and
hard-working, but he is almost too much of a good thing. And his decision to
turn himself into a five-star jerk with the help of the Internet is
cringe-evoking. Of course, there is humor in the irony of Eli’s transformation
occurring at the very moment Mazy begins to see him clearly and appreciate his
sterling qualities, but I found parts of this novel difficult reading. Eli
enjoys his bad-boy behavior too much at times, and Mazy is too long-suffering.
The emotional payoff is large, and I ultimately decided it was worth the
uncomfortable moments. However, I’m not sure how many other readers will agree
with me.
The one character I adored without equivocation is Tru. He is
the kind of caring, mature teenager that I know from having spent decades
teaching the age group really does exist. The following exchange is just one of
the reasons I love Tru:
“I can do the time,” he said. “Don’t
worry about me. Just watch your own self. Don’t hook up with another jerk.”“I’m done with that,” Mazy promised.
Tru shook his head in a way that was far too world-weary for his age. “Mom, there is always going to be someone. I get it. For you, being alone is always going to be just a lull between…adventures. I’m okay with it.”
“Oh, Tru, I really hate that I’m like that.”
“I don’t,” he said. “You’re really good when you’re in love. You’re happy and carefree and well…fun. You deserve some fun, Mom. But please, no more thieves, cheaters, megalomaniacs or assholes.”
I’ve been reading—and re-reading—Morsi for more than twenty
years, and I count some of her historicals and some of her contemporary
romance/women’s fiction hybrids among my all-time favorite books. Mr.
Right Goes Wrong
won’t join these cherished keepers, but Morsi, even when
she’s not at her best, has the ability to strip away surfaces and show
characters in all their complexity, foolishness, strength, pain, general human
messiness, and capacity for love. She does so again in this novel, and that
makes it worth reading.
~Janga
~Janga
Thanks for the review on this book and the Andersen book.
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It sounds like a good story. Having characters reinvent themselves or try to make a change in their lives is a good story line. Having them get too carried away with the change makes for a getter story
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