Sunday, August 17, 2014

Review - - Mr. Right Goes Wrong

Mr. Right Goes Wrong
By Pamela Morsi
Publisher: Harlequin HQN
Release Date: July 29, 2014

Mazy Gulliver has a long history of falling for losers. In high school the loser was Tad Driscoll, wealthy, good-looking Mr. Everything who denied paternity when Mazy became pregnant, leaving her to bring up her son, Tru (now fourteen), on her own. But even for Mazy, her most recent bad judgment was a doozy. She covered for a crooked CEO and ended up not only losing everything but also being charged with conspiracy, serving four hundred hours of community service, and owing $15,000 in restitution. But that devastating experience and some understanding of her behavior acquired through therapy have left Mazy determined to break the pattern.  With that intention, she returns to her hometown and demands that her ex Tad Driscoll give her a job. He does; he employs her as a loan collector. It’s not a job likely to endear Mazy to the citizens of Brandt Mountain, North Carolina; nevertheless, it provides an income. Mazy sets out to create a new life for herself and her son.

Eli Latham can hardly remember a time when he wasn’t in love with Mazy Gulliver, but since he was a year younger and the boy next door, she never really took him seriously. Even though he twice served as her rebound lover, Mazy still thought of him only as a good friend. Eli was too nice to be her type. Despite their history, Eli is happy that Mazy is back in town. His family cautions him that crazy Mazy will just break his heart again, but this time Eli is going to see that one nice guy finishes first, even if he has to jettison his nice-guy ways in order to give Mazy the man he thinks she wants. “How tough was it to be a hard-ass? Some of the stupidest guys he knew managed it nearly every day of their life.

In Mr. Right Goes Wrong, Morsi gives readers two imperfect characters. Mazy is a smart, independent woman who loves her son, but she has made deeply flawed choices in romantic partners. Eli is a genuinely nice guy—kind, loyal, and hard-working, but he is almost too much of a good thing. And his decision to turn himself into a five-star jerk with the help of the Internet is cringe-evoking. Of course, there is humor in the irony of Eli’s transformation occurring at the very moment Mazy begins to see him clearly and appreciate his sterling qualities, but I found parts of this novel difficult reading. Eli enjoys his bad-boy behavior too much at times, and Mazy is too long-suffering. The emotional payoff is large, and I ultimately decided it was worth the uncomfortable moments. However, I’m not sure how many other readers will agree with me.

The one character I adored without equivocation is Tru. He is the kind of caring, mature teenager that I know from having spent decades teaching the age group really does exist. The following exchange is just one of the reasons I love Tru:

“I can do the time,” he said. “Don’t worry about me. Just watch your own self. Don’t hook up with another jerk.”
“I’m done with that,” Mazy promised.
Tru shook his head in a way that was far too world-weary for his age. “Mom, there is always going to be someone. I get it. For you, being alone is always going to be just a lull between…adventures.  I’m okay with it.”
“Oh, Tru, I really hate that I’m like that.”
“I don’t,” he said. “You’re really good when you’re in love. You’re happy and carefree and well…fun. You deserve some fun, Mom. But please, no more thieves, cheaters, megalomaniacs or assholes.”

I’ve been reading—and re-reading—Morsi for more than twenty years, and I count some of her historicals and some of her contemporary romance/women’s fiction hybrids among my all-time favorite books. Mr. Right Goes Wrong won’t join these cherished keepers, but Morsi, even when she’s not at her best, has the ability to strip away surfaces and show characters in all their complexity, foolishness, strength, pain, general human messiness, and capacity for love. She does so again in this novel, and that makes it worth reading.



  1. Thanks for the review on this book and the Andersen book.

  2. It sounds like a good story. Having characters reinvent themselves or try to make a change in their lives is a good story line. Having them get too carried away with the change makes for a getter story